IP Library Granted Patent US 7,742,609
Granted Patent B2
US 7,742,609 · App. 10/406,620 · Granted Jun 22, 2010

Live performance audio mixing system with simplified user interface

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Quick Facts
Patent No.
US 7,742,609
App. No.
10/406,620
Granted
Jun 22, 2010
Kind
B2
Abstract

A digital audio mixing system for live performance venues includes a software user interface and system host PC with an internal digital signal processor to perform digital mixing functions. The system includes a console having an array of multiple touch screen displays with corresponding fader board (tactile) control surfaces operatively connected to the host PC, and an audio patch bay unit. One or more stage boxes are linked to each other and to the system host PC by wired or wireless connections. The user interface includes multiple functional views and configuration presets, displayed in setup and real time modes, to allow the user to operate the system in a user friendly and simplified environment.

Claims (30)

1. A digital audio mixing system for real time mixing and adjustment of audio signals during a live performance on a live performance stage, the system comprising:

a. a host computer having a processor configured to perform digital audio mixing functions which controls selected audio parameters including the relative volume levels of audio signals for a plurality of inputs and a plurality of outputs in response to mixing control signals for controlling the selected audio parameters;

b. an audio patch bay unit coupled to the processor, the patch bay unit having a plurality of inputs, the inputs adapted to receive audio signals from a plurality of different live audio source components and a plurality of outputs adapted to transmit audio signals to a plurality of audio destination components wherein the patch bay unit configures the connections between the inputs and the outputs;

c. a system console configured to generate and transmit the mixing control signals to the processor, the system console comprising at least one touch sensitive display and at least one tactile control surface having audio faders;

d. a system user interface, the user interface comprising software which directs the host computer to generate multiple functional views on the display; the multiple functional views including a stage view; and

e. the stage view comprising a plurality of different pre-defined and user selectable icons on the display, each of the icons visually representing different types of the audio source and destination components connected to the system, the icons movable by the user on the display to positions representing actual stage locations on the live performance stage of the stage elements corresponding to the icons, and a plurality of user selectable stage element configuration presets, the presets including a predefined selection and arrangement of audio source and destination components,

f. wherein the software configures the system user interface to control the audio patch bay unit so that the user can select multiple ones of the inputs and reconfigure the connections between the selected inputs and one or more of the outputs to define one or more user selected mixes of audio signals from said live audio source components; and

g. wherein the software configures the system user interface to receive user input commands in real time during a the live performance to select an audio signal from one or more of said live audio source components by touching or pointing to one or more icons on the stage view representing said one or more live audio source components, and to receive user input commands real time during the live performance to adjust multiple audio parameters, including the relative volume levels, related to the one or more live audio source components by selecting multiple audio parameters of the selected signal and then adjusting the multiple selected parameters.

2. The system of claim 1 , the user interface further comprising a setup view, the setup view comprising a virtual patch by table of system inputs and input audio properties associated with each input, each of the inputs having user-assignable user-friendly names, the user-friendly names representing different stage elements assignable by the user to the input.

3. The system of claim 2 wherein the virtual console view includes an array of touch screen faders.

4. The system of claim 3 wherein the touch screen faders are arranged in channel strips having multiple audio channels to visually simulate a non-virtual mixing console.

5. The system of claim 4 wherein the each of the channels in the channel strips includes an EQ control icon, a pan control icon for bringing up a pan control window, a sole mode toggle configured to mute all other system audio sources, a mute toggle configured to mute the audio source corresponding to that channel, a text display of all insert effects for the corresponding audio source, a VU and margin display, a trim fader, and a text display of the name of the corresponding audio source component.

6. The system of claim 4 , the user interface further comprising a mixer functions view, the mixer functions view comprising a pan control window and an EQ control window.

7. The system of claim 6 wherein the virtual console view and mixer function view each include a cute view window, the cute view window displaying the icons selected and arranged by the user to represent the types and locations of the audio source and destination components on stage.

8. The system of claim 7 , the cute view window further comprising a visual display of audio parameters associated with an audio source represented on the display.

9. The system of claim 3 , the user interface further comprising a drum editor view.

10. The system of claim 3 , the setup view further comprising user selectable, pre-defined show setup configurations.

11. The system of claim 10 , the setup configurations including venue-type configurations and performance-type configurations.

12. The system of claim 1 , the user interface comprising selectable between an advanced user interface mode and a simplified user interface mode which reduces the complexity of the advanced user interface mode for an unsophisticated user.

13. The system of claim 1 , the stage view further comprising at least one user definable adjustment icon, the adjustment icon programmed to automatically implement pre-defined audio parameter adjustments associated with a pre-defined stage element.

14. The system of claim 1 , further comprising at least one stage box linked to the host PC wherein the stage box can configure the connections between a plurality of stage box inputs and a plurality of stage box outputs.

15. The system of claim 14 wherein the host PC, stage box, and stage elements are linked by a universal digital audio link wherein the universal digital audio link interconnects the host PC, the stage box, and the stage elements, on a universal network.

16. A method of digital audio mixing comprising:

a. providing a host computer having a processor that performs digital audio mixing functions which controls selected audio parameters, including the relative volume levels, of audio signals for a plurality of inputs and a plurality of outputs in response to mixing control signals for controlling the selected audio parameters;

b. providing an audio patch bay unit coupled to the processor, the patch bay unit having the plurality of inputs, the inputs adapted to receive audio signals from a plurality of different live audio source components and the plurality of outputs adapted to transmit audio signals to a plurality of audio destination components wherein the patch bay unit configures the connections between the inputs and the outputs in response to mixing control signals for controlling the connections;

c. providing a system console that enerates and transmits the mixing control signals to the processor, the system console, comprising at least one touch sensitive display and at least one tactile control surface having audio faders;

d. providing a system user interface, the user interface comprising software that directs the host computer to generate multiple functional views on the display; the multiple functional views including a stage view and a virtual console view;

e. wherein the stage view comprises a plurality of different pre-defined and user selectable icons on the display, each of the icons visually representing different types of the audio source and destination components connected to the system, the icons movable by the user on the display to positions representing actual stage locations on the live performance stage of the stage elements corresponding to the icons, and a plurality of user selectable stage element configuration presets, the presets including a predefined selection and arrangement of audio source and destination components;

f. controlling the audio patch bay unit and selecting multiple ones of the inputs and reconfiguring the connection between the selected inputs and one or more of the output to define one or more user selected mixes of audio signals from said live audio source components; and

g. selecting in real time during the live performance an audio signal from one of said live audio source components by touching or pointing to one or more icons on the stage view representing said one or more live audio source components, and selecting multiple audio parameters, including the relative volume levels, of the selected signal and then adjusting the multiple selected parameters.

Assignments (21)
GRANT OF SECURITY INTEREST IN PATENT RIGHTS Recorded Dec 22, 2020
From: GIBSON BRANDS, INC.
To: JPMORGAN CHASE BANK, N.A., AS COLLATERAL AGENT
Reel/Frame 054839/0217 →
RELEASE OF SECURITY INTEREST : RECORDED AT REEL/FRAME - 047384/0215 Recorded Dec 21, 2020
From: WELLS FARGO BANK, NATIONAL ASSOCIATION
To: GIBSON BRANDS, INC.
Reel/Frame 054823/0016 →
RELEASE OF SECURITY INTEREST Recorded Apr 9, 2019
From: CORTLAND CAPITAL MARKET SERVICES LLC; WILMINGTON TRUST, NATIONAL ASSOCIATION; BANK OF AMERICA, NA
To: GIBSON BRANDS, INC.
Reel/Frame 048841/0001 →
SECURITY INTEREST Recorded Nov 1, 2018
From: GIBSON BRANDS, INC.
To: WELLS FARGO BANK, NATIONAL ASSOCIATION
Reel/Frame 047384/0215 →
SECURITY INTEREST Recorded May 24, 2018
From: GIBSON BRANDS, INC.
To: CORTLAND CAPITAL MARKET SERVICES LLC
Reel/Frame 046239/0247 →
SECOND LIEN INTELLECTUAL PROPERTY SECURITY AGREEMENT Recorded Feb 21, 2017
From: GIBSON BRANDS, INC.; GIBSON INTERNATIONAL SALES LLC; GIBSON PRO AUDIO CORP.; GIBSON INNOVATIONS USA, INC.; BALDWIN PIANO, INC.
To: BANK OF AMERICA, N.A., AS AGENT
Reel/Frame 041760/0592 →
ASSIGNMENT OF SECURITY INTEREST Recorded Aug 15, 2016
From: WELLS FARGO BANK, NATIONAL ASSOCIATION, AS COLLATERAL AGENT
To: WILMINGTON TRUST, NATIONAL ASSOCIATION, AS COLLATERAL AGENT
Reel/Frame 039687/0055 →
CHANGE OF NAME Recorded Aug 16, 2013
From: GIBSON GUITAR CORP.
To: GIBSON BRANDS, INC.
Reel/Frame 031029/0942 →
SECOND LIEN INTELLECTUAL PROPERTY SECURITY AGREEMENT Recorded Aug 7, 2013
From: GIBSON BRANDS, INC.; GIBSON INTERNATIONAL SALES LLC; GIBSON PRO AUDIO CORP.; GIBSON HOLDINGS, INC., AS A GUARANTOR; GIBSON CAFE & GALLERY, INC., AS A GUARANTOR; CONSOLIDATED MUSICAL INSTRUMENTS, INC., AS A GUARANTOR
To: BANK OF AMERICA, N.A., AS AGENT
Reel/Frame 030983/0692 →
RELEASE OF SECURITY INTEREST Recorded Aug 5, 2013
From: BANK OF AMERICA, N.A.
To: GIBSON GUITAR CORP.
Reel/Frame 030939/0119 →
SECURITY AGREEMENT Recorded Aug 1, 2013
From: GIBSON BRANDS, INC.
To: WELLS FARGO BANK, NATIONAL ASSOCIATION AS COLLATERAL AGENT
Reel/Frame 030922/0936 →
SECURITY AGREEMENT Recorded Apr 13, 2011
From: GIBSON GUITAR CORP.
To: BANK OF AMERICA, N.A., AS AGENT
Reel/Frame 026113/0001 →
RELEASE OF SECURITY INTEREST Recorded Apr 7, 2011
From: BANK OF AMERICA, N.A., AS AGENT
To: GIBSON GUITAR CORP.
Reel/Frame 026091/0136 →
RELEASE OF SECURITY INTEREST Recorded Mar 30, 2011
From: AMERICAN CAPITAL FINANCIAL SERVICES, INC.
To: GIBSON GUITAR CORP.
Reel/Frame 026064/0581 →
SECURITY INTEREST Recorded Dec 5, 2007
From: GIBSON GUITAR CORP.
To: LASALLE BANK NATIONAL ASSOCIATION, AS AGENT
Reel/Frame 020218/0516 →
RELEASE OF SECURITY INTEREST Recorded Jan 16, 2007
From: BANK OF AMERICA, N.A., AS AGENT
To: GIBSON GUITAR CORP.
Reel/Frame 018757/0450 →
SECURITY AGREEMENT Recorded Nov 10, 2005
From: GIBSON GUITAR CORPORATION, A DELAWARE CORPORATION
To: AMERICAN CAPITAL FINANCIAL SERVICES, INC., A DELAWARE CORPORATION
Reel/Frame 016761/0487 →
THIS IS A CORRECTIVE ASSIGNMENT TO CHANGE OF NATURE OF CONVEYANCE FROM "ASSIGNMENT OF ASSIGNOR'S INTEREST (SEE DOCUMENT FOR DETAILS)" TO ASSIGNMENT OF SECURITY INTEREST FOR THE DOCUMENT PREVIOUSLY RECORDED AT REEL/FRAME 015341/0026. Recorded Aug 3, 2005
From: FLEET CAPITAL CORPORATION, A RHODE ISLAND CORPORATION (SUCCESSOR BY MERGER WITH FLEET CAPITAL CORPORATION, A CONNECTICUT CORPORATION, WHICH WAS FORMERLY KNOWN AS SHAWMUT CAPITAL CORPORATION, A CONNECTICUT CORPORATION).
To: FLEET CAPITAL CORPORATION, AS AGENT
Reel/Frame 016814/0940 →
ASSIGNMENT OF ASSIGNOR'S INTEREST Recorded May 17, 2004
From: FLEET CAPITAL CORPORATION
To: FLEET CAPITAL CORPORATION, AS AGENT
Reel/Frame 015341/0026 →
ASSIGNMENT OF ASSIGNOR'S INTEREST Recorded Sep 10, 2003
From: YEAKEL, NATHAN; VALLIER, JEFFREY
To: GIBSON GUITAR CORP.
Reel/Frame 014469/0156 →
SECURITY AGREEMENT Recorded Aug 10, 2003
From: GIBSON GUITAR CORP.
To: FLEET CAPITAL CORPORATION
Reel/Frame 014438/0246 →