Simulating musical instruments
The invention provides a realistic drum experience in a video game. It operates in the context of a video game platform in communication with a display and a drum controller having at least one cymbal and at least one drum pad. It involves determining if a cue to be displayed on the display in a particular sub-lane should be a cue indicating a cymbal input or a cue indicating a pad input. Then, the cue is displayed in the particular sub-lane, indicating the cymbal input or pad input (dependent on the previous determination). Then, input is received from the player via the drum controller; and the input is given a first score if the input was a cymbal input associated with the particular sub-lane and the input is given a second score if the input was an input other than a cymbal input associated with the particular sub-lane.
1. A method of providing a realistic drum experience in a video game, the method executed on a video game platform in communication with a display and a drum controller comprising at least one cymbal and at least one drum pad, and comprising:
(a) determining, by a processor, if a cue to be displayed on the display in a particular sub-lane should be a cue indicating a cymbal input or a cue indicating a pad input;
(b) displaying, on the display, in the particular sub-lane, the cue indicating the cymbal input or pad input as determined in step (a);
(c) receiving, by the video game platform, input from a player via the drum controller; and
(d) scoring, by the video game platform, the input with a first score if the input was a cymbal input associated with the particular sub-lane and scoring the input with a second score if the input was an input other than a cymbal input associated with the particular sub-lane.
2. The method of claim 1 , wherein each sub-lane is associated with a color.
3. The method of claim 1 , wherein the second score is equal to the first score if the cue indicates a cymbal input associated with the particular sub-lane and the received input is a pad input associated with the particular sub-lane.
4. The method of claim 1 , wherein the second score is less than the first score if the cue indicates a cymbal input associated with the particular sub-lane and the received input is a pad input associated with the particular sub-lane.
5. The method of claim 1 , wherein the second score is zero if the cue indicates a cymbal input associated with the particular sub-lane and the received input is a pad input associated with the particular sub-lane.
6. The method of claim 1 , wherein the first score is equal to the second score if the cue indicates a pad input associated with the particular sub-lane and the received input is a cymbal input associated with the particular sub-lane.
7. The method of claim 1 , wherein the first score is less than the second score if the cue indicates a pad input associated with the particular sub-lane and the received input is a cymbal input associated with the particular sub-lane.
8. The method of claim 1 , wherein the first score is zero if the cue indicates a pad input associated with the particular sub-lane and the received input is a cymbal input associated with the particular sub-lane.
9. The method of claim 1 , wherein a count of the player's consecutive successful inputs is reset if the cue indicates a cymbal input associated with the particular sub-lane and the received input is a pad input associated with the particular sub-lane.
10. The method of claim 1 , wherein a count of the player's consecutive successful inputs is not reset if the cue indicates a cymbal input associated with the particular sub-lane and the received input is a pad input associated with the particular sub-lane.
11. The method of claim 1 , wherein a count of the player's consecutive successful inputs is reset if the cue indicates a pad input associated with the particular sub-lane and the received input is a cymbal input associated with the particular sub-lane.
12. The method of claim 1 , wherein a count of the player's consecutive successful inputs is not reset if the cue indicates a pad input associated with the particular sub-lane and the received input is a cymbal input associated with the particular sub-lane.
13. The method of claim 1 , wherein the first score is a bonus score if the received input is a cymbal input and the cue indicates a cymbal input and the second score is a bonus score if the received input is a pad input and the cue indicates a pad input.
14. The method of claim 1 , wherein the first score is a bonus score if the received input is a cymbal input and the cue indicates a pad input and the second score is a bonus score if the received input is a pad input and the cue indicates a cymbal input.
15. The method of claim 1 , further comprising determining that the input is a successful input if the received input is a cymbal input and the cue indicates a pad input or if the received input is a pad input and the cue indicates a cymbal input.
16. The method of claim 1 , further comprising determining that the input is a successful input if the received input is a cymbal input and the cue indicates a cymbal input or if the received input is a pad input and the cue indicates a pad input.
17. The method of claim 1 , wherein step (a) comprises determining that a cymbal for the particular sub-lane is plugged into the drum controller and data in an input file indicates a cue is a cymbal.
18. The method of claim 17 , wherein the data in the input file indicates a cue is a cymbal by being a NOTE_ON event for a particular MIDI note.