Perceptions in a haptic system
A system providing various improved perceptions techniques for haptic feedback above interactive surfaces that require no contact with either tools, attachments or the surface itself is described. A range of receptors in a perceiving member which is part of the human body is identified to create substantially uniformly perceivable feedback. A vibration frequency that is in the range of the receptors in the perceiving member is chosen and dynamically altered to create substantially uniformly perceivable feedback throughout the receiving member.
1. A method comprising:
i) producing, by a mid-air haptic feedback system, an acoustic field from a transducer array having known relative positions and orientations produced;
ii) defining at least one control point having a known spatial relationship relative to the transducer array;
iii) assigning an amplitude to the control point; and
iv) moving the at least one control point within the acoustic field to create a control region having predetermined mid-air haptic effects.
2. The method as in claim 1 , wherein the step of moving the at least one control point creates a smooth transition by using an average phase offset that is substantially zero.
3. The method as in claim 1 , wherein the step of moving the at least one control point occurs on at least one defined curve.
4. The method as in claim 3 , wherein the at least one defined curve is a spline curve.
5. The method as in claim 3 wherein the defined curve is defined to simulate the impression of a 3-dimensional region in mid-air haptic feedback.
6. The method as in claim 3 , wherein the at least one defined curve is a closed curve.
7. The method as in claim 3 , wherein the at least one defined curve is an open curve.
8. The method as in claim 7 , wherein the at least one control point disappears upon reaching the end of the open curve.
9. The method as in claim 7 , wherein the at least one control point reverses direction upon reaching the end of the open curve.
10. The method as in claim 1 , wherein the mid-air haptic feedback includes a conspicuously absent haptic region within the 3-dimensional region.
11. The method is in claim 10 , wherein the conspicuously absent haptic region represents a haptic fiducial.
12. The method as in claim 1 , further comprising modulating the at least control point using amplitude modulation.
13. A method comprising:
i) producing, by a mid-air haptic feedback system, an acoustic field from a transducer array having known relative positions and orientations;
ii) defining a first control point having a first area of effect and having known spatial relationship relative to the transducer array;
iii) assigning an amplitude and a first initial speed to the first control point; and
iv) moving the first control point beginning at the first initial speed such that the first area of effect of the control point crosses over itself at least one time within the acoustic field.
14. The method as in claim 13 wherein the step of moving the first control point within the acoustic field uses harmonics of a base path frequency.
15. The method as in claim 13 wherein the spaces where the path of the first area of effect crosses over itself produces substantially increased haptic feedback when compared with other spaces within the acoustic field.
16. The method as in claim 13 wherein the spaces where the path of the first area of effect crosses over itself produces substantially decreased haptic feedback when compared with other spaces within the acoustic field.
17. The method as in claim 13 , further comprising:
v) defining a second control point having a second area of effect having a known spatial relationship relative to the transducer array;
vi) assigning an amplitude and a second initial speed to the second control point; and
vii) moving the second control point beginning at the second initial speed such that the second area of effect crosses over the first area of effect at least one time within the acoustic field.
18. The method as in claim 17 wherein the step of moving the first control point within the acoustic field and the step of moving the second control point within the acoustic uses harmonics of a base path frequency.
19. The method as in claim 17 wherein the spaces where the path of the first area of effect crosses over the path of the second area of effect point within the acoustic field produces substantially increased haptic feedback when compared with other spaces within the acoustic field.
20. The method as in claim 17 wherein the spaces where the path of the first area of effect crosses over the path of the second area of effect point within the acoustic field produces substantially decreased haptic feedback when compared with other spaces within the acoustic field.