IP Library Granted Patent US 10,157,434
Granted Patent B2
US 10,157,434 · App. 15/060,480 · Granted Dec 18, 2018

Methods and systems for identifying musical compositions in a sound recording and licensing the same

Inventors: Michael Shanley (Los Angeles, CA); Richard Revilla (Woodland Hills, CA); Roger Ging (Camarillo, CA); Ronald H. Gertz (Woodland Hills, CA); Miller L. Watkins, III (Los Angeles, CA); William B. Colitre, II (Topanga, CA)
Assignee: MUSIC REPORTS, INC.
G06Q50/184G06F17/30752G06Q30/0185G06Q40/02G06Q40/12
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Quick Facts
Patent No.
US 10,157,434
App. No.
15/060,480
Granted
Dec 18, 2018
Kind
B2
Abstract

Disclosed herein is a musical works administration service to digital music service providers (DSPs), to provide a streamlined approach for such DSPs to comply with copyright licensing, accounting, and reporting requirements. The service receives, from the DSP, information relating to sound recordings used by the DSP during a relevant time period. Using several matching techniques, the service identifies specific musical compositions embodied in each sound recording, and also determines corresponding publisher-share information. Subsequently, the service employs several mechanisms to attempt to obtain licenses for publisher-shares that are not already covered by preexisting client licenses. Based on the client's usage of such sound recordings and other related information, the service also performs accounting, reporting, and payment operations for the client. The service, in some instances, receives funds from the client and makes corresponding royalty payments (and makes accounting reports available) to the respective rights holders.

Claims (41)

1. A method for providing a licensing service to an online music service provider, the method comprising:

a) receiving from the online music service provider, at an administration server, a request for providing administration service for a first sound recording, and a first set of client label metadata (CLM) including track identifier information of the first sound recording;

b) integrating the first CLM into a CLM database, comprising:

b-1) normalizing the first CLM to a canonical format;

b-2) attaching a client identifier to the normalized first CLM when the first CLM does not include the client identifier; and

b-3) integrating the normalized first CLM with the client identifier into a CLM database (incorporated first CLM), wherein the incorporated first CLM comprises one or more primary identifiers and/or one or more extended identifiers; and

c) matching the incorporated first CLM with a musical composition entry from a publishing information database (PID) comprising:

c-1) comparing, by the administration server, one or more primary identifiers of the incorporated first CLM and the primary identifiers stored in the PID;

c-2) when step c-1) identifies the musical composition entry from the PID corresponding to the first sound recording, a new entry is entered into a CLM pivot data structure comprising a unique pivot record for every successfully matched record in the CLM database, wherein the new entry comprises one or more fields selected from the group consisting of a first CLM row ID identifying a location of the first CLM data in the CLM database, a source song ID identifying the corresponding musical composition entry in the PIDs, a match confidence indicating a level of confidence based on the results of the comparison of step c-1), and a pivot ID indicating the unique record within the CLM pivot data structure; and

c-3) when step c-1) fails to match a musical composition entry from the PID with the first sound recording, one or more of the extended identifiers are used to match against the musical composition entries in the PIDs, and a new entry is entered into the CLM pivot data structure as described in step c-2);

d) identifying, by the administration server, based on the information stored in association with the musical composition entry of the PID corresponding to the first sound recording, one or more publisher-shares, wherein each publisher-share represents an entity holding a copyright interest in at least a portion of a musical composition embodied in the first sound recording;

e) identifying, by the administration server, whether each of the one or more identified publisher-shares identified in step d) is covered under a preexisting license; and

f) automatically executing, by the administration server, a licensing function to acquire a license for each publisher-share that is not covered under a preexisting license.

2. The method according to claim 1 , further comprising repeating steps d) to f) until all publisher-shares embodied in all sound recordings in the first set of CLM are licensed for use on behalf of the online music service provider.

3. The method according to claim 1 , wherein normalizing the first CLM to a canonical format comprises:

b-1-i) removing row, field and value anomalies when the first CLM comprises potential row, field and/or value anomalies;

b-1-ii) enumerating shorthand structures when the first CLM comprises shorthand structures; and

b-1-iii) enumerating grouped records into fully referential individual records when the first CLM comprises grouped records.

4. The method according to claim 1 , further comprising validating the normalized first CLM to verify readability of the track identifier information included in the first CLM after step b-1).

5. The method according to claim 1 , wherein: the one or more primary identifiers are selected from the group consisting of track title and track artist; and

the one or more identifiers are selected form the group consisting of track album, track duration, distributing label, record label, track duration, ISRC, album UPC, album disc number, and album disc track number.

6. The method according to claim 1 , further comprising:

g) sending a license status report to the online music service provider indicating the extent to which the publisher-shares embodied in the subject sound recording are licensed for use on behalf of the online music service provider.

7. The method according to claim 3 , further comprising repeating steps d) to f) until all publisher-shares embodied in all sound recordings in the first set of CLM are licensed for use on behalf of the online music service provider.

8. The method according to claim 6 , further comprising repeating steps d) to f) until all publisher-shares embodied in all sound recordings in the first set of CLM are licensed for use on behalf of the online music service provider.

9. The method according to claim 2 , wherein normalizing the first CLM to a canonical format comprises:

b-1-i) removing row, field and value anomalies when the first CLM comprises potential row, field and/or value anomalies;

b-1-ii) enumerating shorthand structures when the first CLM comprises shorthand structures; and

b-1-iii) enumerating grouped records into fully referential individual records when the first CLM comprises grouped records.

10. The method according to claim 6 , wherein normalizing the first CLM to a canonical format comprises:

b-1-i) removing row, field and value anomalies when the first CLM comprises potential row, field and/or value anomalies;

b-1-ii) enumerating shorthand structures when the first CLM comprises shorthand structures; and

b-1-iii) enumerating grouped records into fully referential individual records when the first CLM comprises grouped records.

11. The method according to claim 2 , further comprising validating the normalized first CLM to verify readability of the track identifier information included in the first CLM after step b-1).

12. The method according to claim 6 , further comprising validating the normalized first CLM to verify readability of the track identifier information included in the first CLM after step b-1).

13. The method according to claim 2 , wherein:

the one or more primary identifiers are selected from the group consisting of track title and track artist; and

the one or more identifiers are selected form the group consisting of track album, track duration, distributing label, record label, track duration, ISRC, album UPC, album disc number, and album disc track number.

14. The method according to claim 6 , wherein:

the one or more primary identifiers are selected from the group consisting of track title and track artist; and

the one or more identifiers are selected form the group consisting of track album, track duration, distributing label, record label, track duration, ISRC, album UPC, album disc number, and album disc track number.

Assignments (2)
SECURITY INTEREST Recorded Aug 25, 2020
From: MUSIC REPORTS, INC.
To: BARINGS FINANCE LLC
Reel/Frame 053595/0432 →
ASSIGNMENT OF ASSIGNOR'S INTEREST Recorded Nov 7, 2018
From: SHANLEY, MICHAEL; REVILLA, RICHARD; GING, ROGER; GERTZ, RONALD H.; WATKINS, MILLER L., III; COLITRE, WILLIAM B., II
To: MUSIC REPORTS, INC.
Reel/Frame 047436/0173 →
Continuity (3)
Continuation 12764897 · Apr 21, 2010
Provisional Application 61171302 · Apr 21, 2009
Related Publication 20160180481A1 · Jun 23, 2016
Cited By (1)
US 12,681,681