Dynamic music modification
A method for electronic music generation comprising electronically applying one or more functions that change one or more compositional elements of a musical input in a first tonality or other musical representation to generate a musical output in a second tonality or other musical representation and recording data corresponding to the musical output in a recording medium or rendering such musical Transformations to a reproductive medium such as an amplifier and speakers or headphones.
1. A method for electronic music generation comprising:
electronically applying one or more functions that change a compositional nature of a musical input in a first tonality to generate a musical output in a second tonality, wherein applying the one or more functions includes changing the harmonic density of the musical input to generate variations in a harmony of the musical output, including changing a consonance or dissonance of the harmony of the musical output; and recording data corresponding to the output melody in a recording medium.
2. The method of claim 1 , wherein changing the harmonic density includes changing a tonal distance of the harmony.
3. The method of claim 1 , where generating an output melody in a second tonality includes changing the musical input from a first scale to a second scale wherein the second scale has a different number notes within the scale.
4. The method of claim 3 , wherein generating the output melody in a second tonality includes adding sharp notes for ascending lines or flat notes for descending lines of the melody to change the musical input musical from a first scale to a second scale.
5. The method of claim 3 , wherein generating the output melody in a second tonality includes choosing notes in the second scale closest to or furthest in tonality from the notes of the musical input to change the musical input to the second scale.
6. The method of claim 3 , wherein changing the musical input from a first tonality to a second tonality includes changing between Greek modes or changing from a Greek mode to a non-Greek Scale.
7. The method of claim 1 , wherein applying the one or more functions that change the compositional nature of the musical input includes changing a melodic structure of the musical input.
8. The method of claim 7 wherein changing the melodic structure of the musical input includes changing a phrase length of the musical input.
9. The method of claim 7 wherein changing the melodic structure of the musical input includes changing an ornamentation of the musical input.
10. The method of claim 7 wherein changing the melodic structure of the musical input includes changing the musical input by means of retrograde or changing the musical input by means of inversion.
11. The method of claim 1 wherein applying the one or more functions that change the compositional nature of the musical input includes changing a rhythmic density or rhythmic complexity of the musical input.
12. A system for electronic music generation comprising:
a processor;
memory coupled to the processor;
non-transitory instructions in the memory that when executed by the processor cause the processor to carry out the method for music generation comprising:
electronically applying one or more functions that change a compositional nature of a musical input in a first tonality to generate an output melody in a second tonality, wherein applying the one or more functions includes changing the harmonic density of the musical input to generate variations in a harmony of the musical output, including changing a consonance or dissonance of the harmony of the musical output; and recording data corresponding to the output melody in a recording medium.
13. The system of claim 12 wherein changing the harmonic density includes changing a tonal distance of the harmony.
14. The system of claim 12 where generating an output melody in a second tonality includes changing the musical input from a first scale to a second scale wherein the second scale has a different number of notes within the scale than the first scale.
15. The system of claim 14 wherein generating the output melody in a second tonality includes adding sharp notes for ascending lines or flat notes for descending lines of the melody to change the musical input from a first scale to a second scale having a different number of notes within the scale than the first scale.
16. The system of claim 14 wherein generating the output melody in a second scale includes choosing notes in the second scale closest to or furthest in tonality from the notes of the musical input to change the musical input to the second scale.
17. The system of claim 14 wherein changing the input melody from a first tonality to a second tonality includes changing between Greek modes or changing from a Greek mode to a non-Greek Scale.
18. The system of claim 12 wherein applying the one or more functions that change the compositional nature of the musical input includes changing a melodic structure of the musical input.
19. The system of claim 18 wherein changing the melodic structure of the musical input includes changing a phrase length of the musical input.
20. The system of claim 19 wherein changing the melodic structure of the musical input includes changing an ornamentation of the musical input.
21. The system of claim 19 wherein changing the melodic structure of the musical input includes adding a retrograde to the musical input or adding an inversion to the musical input.
22. The system of claim 12 wherein applying the one or more functions that change the compositional nature of the musical input includes changing a rhythmic density or rhythmic complexity of the musical input.
23. The system of claim 22 further comprising a fader board coupled to the processor and wherein the settings of faders or switches on the fader board control the application of the one or more functions to the musical input.
24. Non-transitory instructions embedded in a computer readable medium that when executed by a computer cause the computer to carry out the method for electronic music generation comprising:
electronically applying one or more functions that change a compositional nature of a musical input in a first tonality to generate a musical output in a second tonality, wherein applying the one or more functions includes changing the harmonic density of the musical input to generate variations in a harmony of the musical output, including changing a consonance or dissonance of the harmony of the musical output; and recording data corresponding to the musical output in a recording medium.