System and method for synchronized multi-track editing
There is provided herein a system and method for producing a single audio recording from multiple recordings of the same event. In the preferred embodiment, the instant invention will automatically analyze and visually time-align each of the individual source takes, so that the takes containing the same content are positioned beneath each other. This will make it possible for the user to quickly survey, evaluate, and edit different takes of the same event. The instant invention will automatically keep track of the source material presented in by the visual display and will transfer content selected by the sound engineer from a source to a destination location to create the single audio recording.
1. A method of creating a digital recording of a musical work from a plurality of takes of different performances of the musical work, wherein each of said plurality of takes is comprised of three or more recordings of a same one of said performances, comprising the steps of:
(a) accessing said plurality of takes;
(b) displaying on a display device a representation of each of said plurality of takes;
(c) displaying on said display device representations of each of said three or more recordings comprising each of said takes;
(d) obtaining a reference recording from among said three or more recordings comprising each of said takes;
(e) selecting at least one recording from each of said takes not containing said reference recording, thereby selecting a plurality of non-reference recordings;
(f) calculating a similarity between said reference recording and said plurality of non-reference recordings;
(g) using at least said calculated similarities between said reference recording and said plurality of non-reference recordings to time-align each of said plurality of takes with respect to each other on the display device;
(h) choosing three or more clips from among said displayed plurality of time-aligned takes;
(i) organizing said chosen three or more clips in time order, thereby creating three or more different recordings of said musical work from said chosen plurality of clips;
(j) combining said three or more different recordings to produce a digital recording of the musical work; and,
(k) performing said digital recording of said musical work for at least one listener.
2. A method of creating a digital recording of a musical work from a plurality of takes of different performances of the musical work according to claim 1 , wherein at least one of said plurality of takes has been extracted from a longer audio work using a take assistant.
3. A method of creating a digital recording of a musical work from a plurality of takes of different performances of the musical work according to claim 2 , wherein said take assistant performs at least the steps of:
(1) accessing said longer audio work,
(2) determining at least one location in said longer audio work wherein a volume level in said longer audio work is a minimum, and,
(3) using at least said at least one location to extract at least one of said plurality of takes.
4. A method of creating a digital recording of a musical work from a plurality of takes of different performances of the musical work according to claim 1 , wherein step (b) comprises the step of:
(b1) displaying on a display device within an overview project window a representation of each of said plurality of takes;
and wherein step (c) comprises the steps of:
(c1) displaying on said display device within a source project window representations of each of said three or more recordings comprising each of said takes, and,
(c2) displaying on said display device a destination project window, said destination project window at least for receiving a representation of said digital recording of said musical work.
5. A method of creating a digital recording of a musical work from a plurality of takes of different performances of the musical work according to claim 4 ,
wherein a first timeline indicator position within said overview project window is automatically matched by a second timeline indicator position within said source window, and,
wherein an edit operation performed within said overview project window is automatically matched within said source project window.
6. A method of creating a digital recording of a musical work from a plurality of takes of different performances of the musical work according to claim 5 ,
wherein a cut operation performed within said overview project window is automatically matched within said source project window, and
wherein an audio segment resulting from said cut is automatically copied from said source project window to said destination project window.
7. A method of creating a digital recording of a musical work from a plurality of takes of different performances of the musical work according to claim 1 , wherein step (d) comprises the step of:
(d1) selecting a reference recording from among said plurality of three or more recordings comprising each of said takes.
8. A method of creating an audio recording of a musical work according to claim 1 , wherein said digital recording of the musical work is a stereo recording of the musical work.
9. A method of creating an audio recording of a musical work, comprising the steps of:
(a) accessing a plurality of audio takes,
each of said audio takes recording at least a portion of a different performance of said musical work,
each of said audio takes comprising three or more recordings of a same performance, and,
each of said audio takes being comprised of three or more audio tracks;
(b) selecting a reference take from among said plurality of audio takes, each of said plurality of audio takes that is not selected being identified as a non-reference take;
(c) obtaining a reference track from among said three or more audio tracks associated with said reference take;
(d) calculating a similarity between said reference track and at least one track belonging to each of said non-reference takes, thereby obtaining a plurality of similarity values;
(e) using at least said plurality of similarity values to time-align at least a portion of said plurality of non-reference audio takes with respect to said reference track, thereby creating a plurality of time-aligned takes;
(f) displaying on a display device a visual representation of said reference take and said plurality of time-aligned takes, each of said plurality of time-aligned takes being at least approximately positioned on said display device at a location that is time-aligned with respect to said visual representation of said reference take;
(g) selecting a plurality of non-overlapping clips from among said visual representations of said reference take and said plurality of time-aligned takes;
(h) assembling said plurality of non-overlapping clips to create three or more different recordings said musical work;
(i) using said three or more different recordings to create said audio recording of said musical work; and,
(j) performing at least a portion of said musical work for at least one listener.
10. A method of creating an audio recording of a musical work according to claim 9 , wherein step (d) comprises the step of:
(d) calculating a cross correlation between said reference track and at least one track belonging to each non-reference takes, thereby obtaining a plurality of similarity values.
11. A method of creating an audio recording of a musical work, comprising the steps of:
(a) accessing a plurality of audio takes, wherein
each of said audio takes records at least a portion of a different performance of the musical work,
each of said audio takes comprises three or more simultaneous recordings of a same performance,
each of said audio takes comprises three or more audio tracks, and, each of said audio tracks comprising said audio take recording a different instrument;
(b) selecting a reference take from among said plurality of audio takes, each of said plurality of audio takes that is not selected being identified as a non-reference take;
(c) obtaining a reference track from among said three or more audio tracks comprising said reference take, said reference trace;
(d) using said reference track to determine a relative time shift between said reference track and each of said non-reference takes;
(e) using said determined relative time shifts between said reference track and each of said non-reference takes to time-align at least a portion of said plurality of non-reference audio takes with respect to said reference track, thereby creating a plurality of time-aligned takes;
displaying on a display device a visual representation of said reference take and said plurality of time-aligned takes, each of said plurality of time-aligned takes being at least approximately positioned on said display device at a location that is time-aligned with respect to said visual representation of said reference take;
(g) selecting three or more substantially non-overlapping clips from among said visual representations of said reference take and said plurality of time-aligned takes;
(h) assembling said three or more substantially non-overlapping clips to create three or more different recordings said musical work;
(i) using said three or more different recordings to create said audio recording of said musical work; and,
(j) performing at least a portion of said musical work for at least one listener.