Systems and methods for portable audio synthesis
A method of performing audio synthesis has a first audio event input to an audio algorithm along with associated parameters. A synthesis algorithm accesses a soundbank to generate audio output. The soundbank has two or more levels for a first desired sound. A first level is associated with a first sample of a relatively chaotic waveform, and a second level is associated with a second sample of a relatively stable waveform. Parameter data is associated with one or more of the levels. The first sample and the second sample begin to sound at the same point in time in response to the first audio event. The audio output is based in part on the parameter data, and the second sample is continuously looped until a second audio event is detected.
1. A method of performing audio synthesis, wherein a first audio event is input to an audio algorithm along with associated parameters, wherein a synthesis algorithm accesses a soundbank to generate audio output, the method comprising the steps of:
providing a soundbank comprised of two or more levels for a first desired sound, wherein a first level is associated with a first sample comprised of a relatively chaotic waveform, and a second level is associated with at least a second sample comprised of a relatively stable waveform;
providing parameter data associated with one or more of the levels; and
wherein the first sample and the second sample begin to sound at the same point in time in response to the first audio event, wherein the audio output is based in part on the parameter data, and wherein the second sample is continuously looped until a second audio event is detected.
2. The method of claim 1 , wherein the first sample and the second sample have different sampling frequencies.
3. The method of claim 1 , wherein the first sample and the second sample are pre-processed to be a combined waveform, wherein the combined waveform occupies a single voice.
4. The method of claim 3 , wherein the pre-processing occurs after the first audio event is input into the audio algorithm.
5. The method of claim 3 , wherein the pre-processing occurs before the first audio event is input into the audio algorithm.
6. The method of claim 1 , wherein the first audio event is a MIDI event.
7. The method of claim 6 , wherein the MIDI event is a NOTE ON command.
8. The method of claim 1 , wherein the parameter data is compatible with the Downloadable Sounds Specification (DLS) published by the MIDI Manufacturers Association.
9. The method of claim 1 , wherein the parameter data is comprised of filter, envelope, or low frequency oscillator effect parameters.
10. The method of claim 1 , wherein a multi-use waveform is used for multiple levels in the soundbank, resulting in a reduced waveform count overall.
11. The method of claim 1 , further comprising the steps of:
generating a music data file at a first node;
transmitting the music data file from the first node to at least one second node;
receiving the music data file at the second node;
extracting musical definition data from the music data file at the second node, wherein the musical definition data provides information regarding a data structure and data for musical parameters in accordance with the data structure;
processing the musical definition data, wherein music is generated at the second node in accordance with the data structure, the musical parameters, and the synthesis algorithm;
playing the generated music at the second node;
generating a modified music data file at the second node; and
transmitting the modified music data file to the first node, wherein modified music is generated at the first node based on the modified music data file.
12. The method of claim 1 , further comprising the step of providing an interpolation function, wherein the synthesis algorithm generates one or more interpolated samples based on the first sample, wherein the interpolation function outputs an earlier-calculated value along with an estimated difference value in lieu of calculating a new value.