IP Library › Granted Patent US 10,275,726
Granted Patent B2
US 10,275,726 · App. 15/713,740 · Granted Apr 30, 2019

Re-creating the sound of an audience location area from a measured performance space in a live rehearsal space

Inventors: Glenn KnicKrehm (Cambridge, MA); Alban Bassuet (New York, NY); Andrew Neill Woodger (London, GB)
Assignee: Constellation Productions, Inc.
G06Q10/02A63J1/02E04B1/994G01H7/00G06F17/5004G06F17/5009G09B23/14G10K11/002G10K15/00H04R29/00
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Quick Facts
Patent No.
US 10,275,726
App. No.
15/713,740
Granted
Apr 30, 2019
Kind
B2
Abstract

In embodiments of the present invention improved capabilities are described for a computer-based method for reproducing a performance sound quality in a rehearsal space, the method comprising accessing a computer stored multi-dimensional sound signature for an audience location in a performance space, receiving sound data from a sound input device in the rehearsal space, modifying the sound data to match a sound characteristic of the multi-dimensional sound signature, and transmitting the modified sound data through a sound output device in the rehearsal space.

Claims (27)

1. A computer-based method for reproducing a performance sound quality in a rehearsal space, the method comprising:

accessing a computer stored multi-dimensional sound signature for an audience location in a performance space;

receiving sound data from a sound input device in the rehearsal space;

modifying the sound data received in the rehearsal space to match a sound characteristic of the multi-dimensional sound signature of the audience location of the performance space; and

simultaneously transmitting the modified sound data matching the sound characteristic of the performance space through a sound output device in the rehearsal space.

2. The method of claim 1 , wherein the multi-dimensional sound signature comprises a measured sound quality.

3. The method of claim 1 , wherein the multi-dimensional sound signature comprises a time-based sound reflection sequence within the performance space for at least two sound parameters.

4. The method of claim 1 , wherein the multi-dimensional sound signature comprises a combination of a plurality of different sound dimensions selected from the group consisting of timing, direction, amplitude, and frequency of sound reflections.

5. The method of claim 1 , wherein modifying the sound data reduces a difference between an acoustic environment of the rehearsal space and the multi-dimensional sound signature of the audience location in the performance space when the modified sound data is transmitted in the rehearsal space.

6. The method of claim 1 , wherein the sound input device is a microphone.

7. The method of claim 1 , wherein the sound output device is a speaker.

8. The method of claim 1 , wherein the sound output device is a headphone.

9. The method of claim 1 , wherein the audience location is an area of audience seats in the performance space.

10. The method of claim 1 , wherein the audience location is a specific seat in the performance space.

11. A system comprising:

an acoustic processing facility accessing a computer stored multi-dimensional sound signature for an audience location in a performance space;

a sound input device receiving sound data, wherein the acoustic processing facility modifies the sound data received in a rehearsal space to match a sound characteristic of the multi-dimensional sound signature of the audience location of the performance space; and

a sound output device to simultaneously transmit the modified sound data matching the sound characteristic of the performance space in the rehearsal space.

12. The system of claim 11 , wherein the multi-dimensional sound signature comprises a measured sound quality.

13. The system of claim 11 , wherein the multi-dimensional sound signature comprises a time-based sound reflection sequence within the performance space for at least two sound parameters.

14. The system of claim 11 , wherein the multi-dimensional sound signature comprises a combination of a plurality of different sound dimensions selected from the group consisting of timing, direction, amplitude and frequency of sound reflections.

15. The system of claim 11 , wherein modifying the sound data reduces a difference between an acoustic environment of the rehearsal space and the multi-dimensional sound signature of the audience location in the performance space when the modified sound data is transmitted.

16. The system of claim 11 , wherein the sound input device is a microphone.

17. The system of claim 11 , wherein the sound output device is a speaker.

18. The system of claim 11 , wherein the sound output device is a headphone.

19. The system of claim 11 , wherein the audience location is an area of audience seats in the performance space.

20. The system of claim 11 , wherein the audience location is a specific seat in the performance space.

Assignments (3)
ASSIGNMENT OF ASSIGNOR'S INTEREST Recorded Feb 20, 2019
From: KNICKREHM, GLENN
To: CONSTELLATION PRODUCTIONS, INC.
Reel/Frame 048380/0787 →
ASSIGNMENT OF ASSIGNOR'S INTEREST Recorded Feb 20, 2019
From: WOODGER, ANDREW NEILL; BASSUET, ALBAN
To: ARUP AMERICAS, INC.
Reel/Frame 048380/0834 →
ASSIGNMENT OF ASSIGNOR'S INTEREST Recorded Feb 20, 2019
From: ARUP AMERICAS, INC.
To: CONSTELLATION PRODUCTIONS, INC.
Reel/Frame 048381/0565 →
Continuity (7)
Continuation 14742920 · Jun 18, 2015
Continuation 13745463 · Jan 18, 2013
Continuation 12495019 · Jun 30, 2009
Provisional Application 61185837 · Jun 10, 2009
Provisional Application 61176426 · May 7, 2009
Provisional Application 61076859 · Jun 30, 2008
Related Publication 20180025297A1 · Jan 25, 2018